“It’s a great effect and method and I’ve never seen anything like it before!”
– Daryl
“I can’t believe you fooled me so hard that I’m putting down my cards to learn a rope trick!”
– Jon Armstrong
“It’s a great effect and method and I’ve never seen anything like it before!”
– Daryl
“I can’t believe you fooled me so hard that I’m putting down my cards to learn a rope trick!”
– Jon Armstrong
Classic Mentalist Effects Supercharged with The 100th Monkey Principle!
24 Effects, 3 DVDs, 12 Postcards, 9 full performances, over 500 Jpegs and a 220-page eBook! Effects for close-up and stage performance – most are easy-to-perform miracles!
“I love this! The new directions in which Chris has taken the 100th Monkey principle are brilliant. This is very strong, easy-to-do mentalism that allows the performer to concentrate on performance. While Chris respects the classic plots of mentalism, he pushes the limits and methods farther, adding another layer of mystery and making them cleaner and more direct. This is a valuable addition to any mentalist’s arsenal.”
– Banachek
“This effect is just outstanding! I really love Mind Thief, and I will do it close-up. Thanks for putting this out. It is going to be so much fun to do.”
– Ethan Nessen
“Have to say, Mind Thief is really stunning, very clever. I’m really enjoying it. Thank you for releasing this brilliant effect.”
– Garry Hadley
Mind Thief is a fun game of imagination, with a plot twist that turns it into a powerful piece of mind reading. A spectator thinks of one of any one of over 30 valuable objects: a platinum Rolex, a Prada necklace, Gucci Shoes, or a million dollars: it is truly a free choice, nothing is ever written down and no questions are asked.
The spectator imagines he has to get this valuable object home and hide it – but someone is trying to steal it from him! The performer shows him pictures and words in a spiral-bound book with options to get home and hide the object: on wide thoroughfares or narrow alleys, entering his home from the front door or back, hiding it in the bedroom of basement. The spectator never tells the performer his choices.