All Magic Movie

John Stessel – Flush

“The best rubber band trick I’ve seen in years.” 
– Alex Pandrea

Simple. Elegant. Impossible. You lightly hold two rubber bands at your fingertips. You touch them together. They link. You blow on them. They unlink. Both bands can be examined.

The problem with most rubber band tricks is that they require the magician to fiddle-to contort and stretch and loop the bands between each other and between the fingers. Well, the audience sees this. That’s a bad thing.

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POWERLESS by Esya G

Introducing Powerless, by the creator of Tiptop and Tiptop 2.0, Esya G.

Now you can be creative with a coin or another object that can be balanced at the corner of a card…

Perform surrounded by an audience. People are amazed!

• No magnets

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TOTEMS by Barbumagic

Barbumagic presents TOTEMS.

In this project you will learn the following routines:

1. The ET Levitation: a one handed floating ring with a quick set-up. This is great as an oppener. It’s quick, visual and get’s people’s attention.

2. Inception Bend: a very natural-looking one-handed coin bend and a double coinbend routine, where one of the coins is bending in the magicians hand, while the second coin is bending in the

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Felix Bodden – Exchange

Exchange by Felix Bodden [vjzcn3igu1y8] - $2.19 : Online Shopping

Transpositions have been a staple routine for magicians all around the world. While many are complicated, every so often an effect comes along that is both visual and practical. From the creator of In a Flash, here is another exciting entry from Felix Bodden.

Introducing Exchange!

Simply lay 2 cards on the table, and have them swap positions with seemingly no effort! This effect is easy to do and quick to reset, making it the perfect transpo effect for your staple routine.

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Scott Alexander – Standing Up On Stage (6 DVD)

Magic Center Harri Online - Standing Up On Stage Volume 6 Encore by Scott  Alexander - DVD

In Volume 6 of Scott Alexander’s amazing series, you’ll learn key essentials not only of your act itself, but promoting it as well!

DIRECTORS GUIDE

Scott opens with a discussion on finding a mentor and how it can be instrumental in your development as a performer. He gives you the secret formula for developing your stage presence. To wrap it all up, Scott discusses encores and “in one” pieces and why you should collect them.

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