What happens when the foremost scholar on card magic is asked about his favorite magicians? You get Favorites, a collection of magic that assembles separate, serious studies on three of the greatest card magicians of all time: Alex Elmsley, Frank Garcia, and Dai Vernon.

In each case, Mr. Giobbi provides background information on the person, and frames the influence of the tricks in a modern perspective. Then you’ll see a performance of three pieces by Elmsley, Garcia, and Vernon, followed by step-by-step instruction on each piece.

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Welcome to Magic Monthly

Each month I’ll be sharing TWO of my greatest effects with you.

Join the membership Now for only £10+vat and you will learn:

The Knowing Principle ˗ THE fairest and most fooling Impossible card location

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Display a printed flyer of the best-selling appetizer ever and visually bring it to life!

We present you FLAVOR 3D, a trick that allows you to surprise your audience by showing a flat figure and then take it to the third dimension, Marcos shows you different ways to do it for social networks or live audiences.

It comes with everything you need to perform.

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Welcome to Tricks for Thoughts.

Tricks for Thoughts is my most comprehensive project ever. It is not about a single routine or a sleight. It is about magic, in all its different forms. I have spent months trying to work out a way to create a unique project that truly felt like magic. Both the content and the format of Tricks for Thoughts will surprise you in many unexpected ways.

THE CONTENT

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(P)sync

In 1950s, David Berglas created the “Holy Grail” of card magic, known as “The Berglas Effect“.

The Berglas Effect:

The performer shows a shuffled pack of cards, then a spectator is asked to think of ANY card in the deck. Next, the spectator is asked to name a random number between 1 and 52. Amazingly, the randomly thought of card is found at the exact number the spectator had thought of. In later years, this effect was known as “ACAAN” and is still regarded as one of the most impossible card

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When I first heard rumors about Aaron’s work, I had to look into it for myself. At first glance such demonstrations seemed like pipe dreams. But as I found out, for those performers brave enough to dive in, the rewards are truly breathtaking.
I’ve been studying methods in mentalism and hypnosis as well as esoteric and mystical writings for many years now and pride myself on being well versed in both arenas. Aaron’s work is fresh and workable, and yet it retains a sense of something arcane. His writing style is so unique that it sucks the reader into a world hidden behind the mundane. Having corresponded with Aaron for some

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