Card Tricks

The Anti Control by Chris Mayhew

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Chris Mayhew has created what at first inspection may seem to be ‘the laziest control of all time’ – controlling a card from the center of the deck… to the center of the deck.

But don’t be fooled by this apparent simplicity. What Chris fails to mention, is that he can control this single card with absolute pin-point accuracy to any position he wants – the Master of his Domain.

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Paperstorm by Rich Li

It’s no news that our friend, Rich Li, is a beast at sleight-of-hand card magic, rivaling many other modern card performers.

Here at SansMinds, we’ve assembled a few of our favorite sleight-of-hand effects from Rich, into a project we promise you’ll enjoy. Each effect contains its own mystery between just a stack of pasteboards.

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Never Seen by Jean-Pierre Vallerino

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From a borrowed deck, a spectator freely chooses a card, signs it, and puts it back in the deck before thouroughly shuffling the cards. They then place the cards into THEIR pocket. At no point has the magician touched the deck which means the card can GENUINELY be at any position.

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Wavelength by Manu Jo

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“Waving the Aces” by Guy Hollingworth is one of the most famous and deceptive pieces of card magic ever created. The effect is simple. Four aces are shown face down, one by one they visually turn face up.
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Balean Twist by Bizau Cristian

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You ask a spectator to say “stop” as you riffle through the deck. They think of the card that they freely stopped at. It’s not a force. I promise.

The deck is handled naturally, but with just a spring, one card turns face down, reversed in the deck. It is their selected card – every time. A mechanical miracle.

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Simple Collectors by Peter Pellikaan

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This is called “Simple Collectors.” Well, it looks simple anyway. It is a stunning, clean version of the Collectors plot, with a typically clever method.

Important: Peter Pelikaan’s face never appears in his videos, they look homemade, his voice is rough, and his background is a mystery. Peter teaches fast, and doesn’t speak much during the tutorials, but they are clear enough assuming that you already know standard moves such as false counts, displays and, on the very odd occasion, lapping. The camerawork isn’t fancy by any means, but his astounding magic speaks for itself.

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NFW by Gary Freed

“Quite simply one of the most commercial small packet effects I’ve ever used!” –John Carey

“I loved it, two thumbtips up!” –Dan Garrett

“The ending jumps up and bites you, I was astounded!” –Tom Craven

“It looked like real magic.” –Tony Econ

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